William Shakespeares Presentation of the Two Pairs of Lovers in Much A

William Shakespeares Presentation of the Two Pairs of Lovers in Much Ado About goose egg Much Ado About Nothing would have been pronounced Much Ado About Noting in Shakespeares time. Noting would infer seeing how things appear on the surface as foreign to how things really are. This provides an immediate clue as to how the play and the presentation of the fib of the cardinal pairs of lovers would be received by an audience of the time, living as they did in a patriarchal society which was based on cordial conventions and appearances. It can also be taken as an initial gabfest by Shakespeare about that society and its values and moral codes. Modern audiences, however, follow in a more sexually egalitarian society. Although appearances are motionless important, values are more dependent on self-analysis and self-knowledge. It is world-shattering that the story of Hero and Claudio, the first of the pairs of lovers, is one that Elizabethan audiences would have belike been beaten(prenominal) with. Ariosto and also Spenser in the Faerie Queene had presented this love story as a tale of chivalry and high morality. Therefore the audiences of the time would be familiar with the conventional characters of Claudio and Hero. Hero displays all the qualities the Elizabethan audience would have esteem in a woman. She knows her place in society. Her father is there to be obeyed, and she herself recognises how she should be punished were the charges against her proved to be true, O my father demonstrate you that any man with me conversed ?? Refuse me, hate me, torture me to death. There is an absence seizure of dialogue b... ... upon flouting conventions as discussed. In Much Ado About Nothing, one whitethorn argue that Shakespeare decided to have two sets of lovers to provide the audience with contrast perspectives on similar situations. One may also argue that the two con trast between what was expected at the time against the unconventional. In both(prenominal) cases Shakespeares presentation of the relationships between these two pairs of lovers implies criticism of his shallow society and its conventions. perchance he set the story in Italyas he may not have wished to upset his benefactors at home. Modern audiences may only perhaps gain an appreciation of this element in Much Ado About Nothing as a study of Elizabethan society. Their empathy and interest may therefore be based to a greater degree in the characterisation of benedict and Beatrice.