The Problems Defining Genre :: Literature Essays Literary Criticism

The Problems Defining musical genre   Genre denotes a systematic way to categorize literature. The term cleverness be considered academic jargon however, it produces up a set of expectations that stop us to judge literature. These expectations or criteria also allow us to liken with otherwise literature in the same as hale as different genres. In spite of these expectations, genre does not dictate a set of rigid rules in fact, genre is more descriptive than prescriptive.   Problems in defining genre often arise because there are a great deal sub-genres romantic comedy might be considered a sub-genre of comedy, revenge disaster of catastrophe and gothic horror of horror. It becomes increasingly difficult to see where sensation sub-genre ends and another begins. Also these categories are seldom pure. For pillow slip, Hamlet, a revenge tragedy, includes aspects of dally and even a comic scene or two. Our commonplace purification makes defining genre challenging because what is vital one day might disappear the next. An example of this is the current insistence upon a happy ending. Since tragedy is often characterized by an unhappy or right ending, according to Aristotle, popular culture no longer welcomes the tragedy with the relish it did at other times in history.   Our Town being the exception that comes to mind, as well as the one-man shows. Poetry makes frequent use of this voice. In soda by Sylvia Plath, the author address Daddy throughout the poem. Shannon Chamberlains use of Aesops manufacture The Parrot and his Cage was another example of this single voice narrative. A second voice option is the drama or dialogue that involves talk of the town between two characters with no narration. All of the plays we are reading in class fit this category as well as Stacy Burlesons example of Merlin as a legend in film. Finally, the combination of the fibber plus dialogue is just as it seems, a narrator duolog ue to the audience (or reader) but the characters talk to each other. The TV shows The Fugitive, Dragnet, and Twilight geographical zone come to mind as examples of this.   Narrative genre, by contrast, focuses on the plot line or plot. Tragedy frequently introduces a problem, there is struggle for control, at last a realistic and often unhappy ending that resolves the problem.