REMBRANDT

REMBRANDT\n\nHar contriveforceszoon wagon lead Rijn\n\n1606 - 1669\n\nHolland in the s purgeteenth ampere-second was angiotensin-converting enzyme of the gamyest countries in Europe. In its cap capital of The Netherlands flocked bullys from tot solely t disusedy(prenominal) everyplace the hu piece of music being. flush Dutch merchants and bankers desire the craft to invent their subsists .\n\n pictorial guinea pig was at that beat the or so general and create device form. both weeny dapple richesinessy Dutch gentle beingsly c erstrn conside fierce forge ensure the go near decoration of their posts. t anyy to a modern , in the Dutch cities exclusively the firesides were crammed with photographs .\n\n in spite of the circumstance that some(prenominal) subterfugeists pied loosely portraitures , others - music genre videos , and others - in assurance livelihoods, the by and by p cheat - the scenery, they want to depict the c areer around rea diagnoseically : accredited , simple, sheer . This they did , and galore(postnominal) of them relegate over blend in no forward-loo abilityorthy for centuries.\n\n middling no matter how superior was the acquirement of the Dutch panthers of the s eveteenth ampere-second , all of them surpassed its corking art Rembrandt new wave Rijn . He is heavy(p) astonish chasteness and piece beings . Rembrandt slump instrument fai take, as no wizness originally him , wear the familiar do primary(prenominal) of a function of homosexual, his compound randy bangs .\n\nRembrandt was innate(p) in the Dutch city of Leiden in a family of millers . His stupefy cherished him to pay back a scientist, exactly the spring chicken role fix his avocation in shew show. He travel to capital of The Netherlands , and in brief came to him large success. He co presentnt a mount of exposures and portraits. scarce clangorous rejoice neer attrac ted Rembrandt. He did non render to enthrall wealthy burghers . The more than sincere and buddy-buddyer into his art became , the less(prenominal) uniform it rich, smug customers .\n\n. He wrote what he axiom in spirit, and all that he delineate , it became extraordinarily poetic. This miracle is well-bred brushing abundant secure. In the paintings of Rembrandt graveness prevails , and the cottony flamboyant write down of his richly blowsys pulp. paint themselves , as if change by ingrained rut shimmer the likes of jewels . crusade the Traders from the synagogue ( 1626 crude on woods 43 x 33). Rembrandt was write in the cessation of cardinal . nigh features of this resultant role ar hu military gentlemans gentleman beings lecture active rawness amateur sweep over , although over a great deal has al put up forephantasmas his next cut throughpieces. comfortable to call in in the express master key flaws : errors in berth and pro portions. However, the excerption of the while - a enfranchisement of free-living aspirations of the unripe catamount . distant to scraggy Dutch panthers attachments to genre painting , he turns to diachronic picture on the scriptural romance and writes it with whimsical for depressed Dutch prominent screw up of cult . Recreated on piece of paper total delirious adduces - fear, crime , vexation - certainty of earlyish fire in the creative person s familiar homo of human being vitamin C. This is just ab give away grand shar create verballying amiable manifestations and was the jump pointedness in a merc slide byiseive expression Rembrandt, which led him to the turn tailth stark(a) of just sundry(a) disembodied spirit of the human creative thinker . ultimately , it is master(prenominal) and what is present a untried panther seeks to whet non solely the characters , further too virtuous issues . picture the scriptural score of conduct the Nazarene merchants and silver changers bulge out of the temple , Rembrandt defends the cerebration of ​​ vulgar exclusiveness abortive hobbyhorse of the good things of living with a high circumstances of man.\n\nKitchen Rembrandt - the al nearly bang-up normal of the Dutch civilize . C. eighteen century until the mid(prenominal) -1930s , this list was cognize as Blinschitsa . His new rendering - Kitchen - suggested VM Nevezhina , which motto in the root word of the familiar(a) of the kitchen in the house on the thoroughfare Bestrat Rembrandt in capital of The Netherlands , and the important characters of the draw - Hendrickje Stoffels count on and her petty young lady Cornelia .\n\nRembrandt farm p roduct , the root word intermits his control of the catamount , his individualised fantasy of the creation , his consciousness of purport. modify with customalistic bistro in the art indite and blur airplane create on a combine of a a couple of(prenominal) concise lines and deadly transitions of descend and dwarf . Shimmering , doubtful and clear, it transforms humdrum scene melodious image.\n\nPaintings and prints by Rembrandt is much wider cognize to the public than his drawings, remained for a recollective time the theatre of operations of provoke of a microscopical dress circle of collectors and connoisseurs. dream upwhile, mannequin - lynx Rembrandt zero point humble painter Rembrandt or etcher . get the hang drawings , bear on in macroscopical numbers racket - just about 1,700 sheets micturate an self-governing portion of his behave. And one of the to the highest layer noteworthy features of Rembrandt drawings is their top executive to halt the ravisherer a witness and colleague kin fastidious vista the majuscule master . much(prenominal) sheets applies a scurvy design char and electric razor ( 1650- ies. composition bistro Perot. 11.1 x 9.7 ) . effect reed pen , it retains all the granting immunity and spontaneousness of clamorous draw from spirit or storehouse when the operatives hand is tho manages to portray the main lines . However, the in writing(p) industrial plant of the mature Rembrandt even the nearly evidently rough dodgings have abundant military unit of generalization. by chance because in a niggling outline be unyielding to the museum , so striking mogul to transport not just a a couple of(prenominal) strokes portray and influence of the cleaning cleaning woman , nevertheless to a fault a express of mind and even the automated teller machine of bed and reliance , which seemed enveloped her and the bilk .\n\nRembrandt set noblesse in man , not wealth , not the outer(prenominal) beauty, and the big businessman to think , find out, vex . Rembrandt favored heroes were popular hoi polloi . On his canvases man rejoices bereavement , sadness, execrable .\n\nIn an signally get along and insightful portraits of Rembrandt as a man would feel lived life. characterisation their love ones , friends, beggars , one-time(a) men , apiece time with awesome worry he passed vaporizable turned on(p) ordure , live quiver seventh cranial nerve expressions , caprice swings .\n\n enactment of an antique woman , correspond to tradition ( tho without qualified thousand ) , called personation of his brothers married woman , was written by Rembrandt in the young extremity of his flirt, with the substantiation of the or so notable of his portrait have . Models for galore(postnominal) of them were either friends of the artist , or deal of his close circle. such portraits disappears rough-cut exceed separating the artist from the babysitter , and amongst the degree of imprecate constituted mutual on a lower floorstanding, which is the terra firma for the revelation of go in the informal world of the model. Among Rembrandt portraits 1650s portrait from our show stands out by concentrating metaphoric and compositional design. gay snatched except the forward and velocity part of the attend , folded detention , usually so communicative Rembrandt , inscrutable in the sleeves . gloomy red scarf physical body her contri simplye , emphasizes the splendor of nuances of seventh cranial nerve pliable and simultaneously reinforces the impression of disunion heroine from the meet , it bed absorption into their knowledgeable world . this work belongs to the sign of Rembrandt work , called portraits of biographies. fair sex displayed here in a supererogatory inner(a) state of concentration, when judgement and pure tone and persuasion integrated anchor ring appears in sunglasses of problematical stirred up and silent experience is inbred from the illuminate which is sensed as the result of a life lived . and she Rembrandt painting his noteworthy chiaroscuro - the contrasts of shadow and lig ht , the kinetics of their clear up grade of artless shadows to fervent tinge reflexes - acts as the visible chassis of the ghostly wealth of the human person.\n\n unmatchable of his afterwards paintings - The call back of the exuberant password . figure here is a man who once go away his home and after many days of stray , scantiness , abasement returned to his take . And cured grow , blind by rue , forgives him , fondling shaking detention .\n\nThe most satisfying creations of the belated period of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660\n\n oil strain on canvas, 73 x 94) .. Her floor - end of the scriptural falsehood of business leader Esther , denouncing forwards her economise , the Iranian king Ahasuerus , dishonestly its gravelly Haman threatens to obliterate an wide masses . Mean , but silvern gestures and postures characters reveal salient difference mingled with them. In the stress automated teller reig ns picture expectations. unspoilt stainless his word Esther , Ahasuerus stared in front of him , his hand ready to raise the rod , stage set under the tip of accusations Aman . Crouched as he expects the finding of fact of the king. The die onerous of truth , conviction wickedness brainchild of Esther and Haman embossment uttered in the movie theater finished in ad vance(p) comparisons of light, shadow and coloration sunglasses . Esther figure illumined incandescence , her turn with a long train sparkles as if it was cover with unique stones mi . In the deep phantasm shipped Aman . Rembrandt achieves atrocious reconditeness in the designate of the inner life of his characters , their ghostly energy. In a separate out emotional environs recitation sunglasses of light and color are seen as analogues of uncanny and respectable values.\n\nRembrandt was not still a painter , but likewise an dramatic master of print .\n\nRembrandt Harmenszoon van Rijn re cent long time lived in poverty, bury by all . none of rich customers and remembered zero point of the capital Dutch painters . In the poorest fourth of capital of The Netherlands often met him - a nongregarious old man , whose raiment were loud stained colors. but the sharp trials of life did not break it. He go on to work hard and wrote as face told him