Gabriel Okara: Analysing "Once upon a time".

THE vocalizer in this song reminisces roughly a period when tidy sum were sincere and caring in their relations with angiotensin converting enzyme a nonher; he speaks regretfully about the depict duration, when raft be non a same(p) before. He point windms to t angiotensin-converting enzyme that bulk have confounded the ingenuousness and openness which he outright sees in his youthfulness son; he exigencys to restore that innocence. The poem starts with the well-known words Once upon a time, suggesting that what the talker is going to put is a fairy tale, something so far-fetched it talent non even be believed. This makes us bring forward that verity in expressing emotion is so r atomic number 18 immediately that it a great ken is a fairy tale. The poet creates a contrast between hearts and faces. Hearts suggests deep, honest emotion. Thus, when people put-oned or shook reach with their hearts, their emotions came from within. Now, however, they laugh w ith their teething, not with their font. It is a cliché that the eye are the windows of the soul, nevertheless they do let us see what a person top executive be substantively feeling. If soul laughs with their eyes, we empennage see their emotions. But teeth, which are hard, white, and expressionless, reveal nothing. And the peoples eyes have now become ice-block-cold, bring out no warmth. citizenry are now dishonest (while vibe hands, they use the free people hand to search my eject pockets) and insincere, severaliseing things they do not mean. The vocalizer tells us that he has learnt to deal with this hard, insincere foundation by becoming just uniform on the whole the separate people; he similarly hides his real emotions and speaks words he clearly does not mean. He describes his behaviour in an evoke way, enjoining that he has learnt to set down many faces / analogous dresses - the like dresses, he changes his face, taking one off and exchanging it for something more worthy: homeface / of! ficeface / streetface and so on. We can look at these faces as a series of masks or misguided faces, which show no real emotion. These faces, unlike hearts, are not sincere. But they are not the faces of evil people either. They are, in fact, the social faces that everyone has to put on in order to deal with all(prenominal) the people they are apparent to encounter in their lives. almost of us do disclose different faces - that is, we do take differently - depending on whether we are at home or the office or civilise or a party. The speaker wants to be as gratuitously sincere as his young son. He wants to unlearn all these muting things; this suggests that he has learnt how to behave in a way which mutes or silences his real emotions. He wants to get rid of his false laugh which shows only my teeth like a snakes bare fangs - the similarity with the snakes fangs makes the false, mask-like smile seem dangerous. The speaker regrets the vent of his innocence, but hopes his son can give instruction him. Once Upon a beat is an emotional poem about the story of a vainglorious up man--who once was an innocent child. His bountiful human beings has lost the charm of his childhood years. The poet describes how the forge of growing up transforms the innocence of childhood. After entering the adult arena, the young adults will little by little get out how to laugh with their hearts.

While growing up, the cold world frighten our main character. He used to sense Peoples insincerity and their piffling laughs, because they only laugh[ed] with their teeth,/while their ice-block-cold eyes/s earch[ed] behind [his] shadow It is a vicious circle:! once someone has entered the adult world, he will change--then change others. Our character will learn how to give tongue to things that he doesnt really mean: I have also learn to say, Goodbye,/when I mean Good riddance;/to say Glad to meet you,/without being glad; and to say Its been/ subtle talking to you, after being bored 2 bid everyone else, our main character was forced to grow up--in order to retrace up to the adult world: I have learned to wear many faces/like dresses--homeface,/officeface, streetface, hostface, cock-/tail face, with all their conforming smiles/like a fixed portrait smile In this self-serving world, our character learned how to adapt; he fit a little too well. He now can land the adult role without any problem. However, once he became a parent, parenthood seems to have helped him to remember the innocent world of his childhood. Because of his son, he wants to re-learn how to be sincere. His son holds the key to this old, forgotten world. What a rattling(prenominal) poem! It presents in such(prenominal) a simple manner, such a complicated subject: the pain of growing up, and the loss of innocence. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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